Getting death note vibes for some reason
Getting death note vibes for some reason
Pumping out bangers faster than the media pumps out horrific sounding headlines. Yet another clean track with a catchy melody, top notch structuring and mixing, and something I would listen to while doing honestly anything at all. An underappreciated feature of your songs is the length; around 2 minutes works so well. I just have one little knack about the outro: it happens suddenly and since the track flows so well you almost expect it to keep going. Other than that great job here, keep it up.
thank you! i always have trouble with endings, they either seem too sudden or prolonged, i will try to set my mind on improving this for 𝙩𝙝𝙚 𝙛𝙪𝙩𝙪𝙧𝙚!
How did you get your music available for GD?
@KalTheMan replace the second line, “with colors painted on” to “are you the same as us”
“Don’t think about listens”? Lol this guy gets thousands per song and for good reason.
Pumping out tracks faster than someone posts news about covid. Impressive considering that they all are equally amazing and have great theming. This is no exception: a simpler track in terms of amount of instruments but that works given that underwater things are so much more peaceful and calming. I just have a small issue with the outro: it ends quite suddenly relative to your other tracks, given that this sounds like a water theme for a game maybe it could have been a loop of some sort rather than ending as it does now. But overall great job as always.
haha, i am grateful when anyone listens! it amazes me every time, and if i could organize my thoughts in writing without second-guessing, i would better express the scope of my gratitude. thanks again for the kind words!
Missed this one in my inbox for some reason.
Anyways I love the jazzy feel of the background chords, almost feels like a group of dancers dancing to some ballet type thing (great explanation I know). This quietish thing at 1:18 is really near and I think new to your style although I could be wrong. Absolutely adore the glissandos, they really add a lot of uniqueness and as a string player I know how fun they can be to play. Really well done.
Thanks. My vision while making this is of a small jazz group performing a gig in some casino (I say small but there's quite a few instruments there). I completely agree, Glissandos are loads of fun to do.
Oh look it’s choir in the background. Very fancy sounding melody, especially when the guitar comes in. Fancy as in grandiose and sounding like a banquet for royalty music. Again, using both sides of the “cello spectrum” (high and low notes) makes that part sound really emotional. The whole song is emotional to be honest, which makes sense given the title. Very well done, I like this more than falire.
Still my absolute favorite creo song. Everything is perfect here. The percussion is extremely unique, the song isn’t too short or long, the saxophone is done better here than even in Dimension or red haze, the 12/8 time signature is really original, drops are sudden but really catchy nonetheless, I don’t have any complaints. A little sad to see you give up on saxophone recently when this is the potential of the instrument.
Cello! Love the dnb type situation and the song’s progression is really good too, and the strings sound natural and like they were recorded in a studio instead of a bad soundfont.
A strange idea indeed. It somehow works with the feeling of the song, which is almost the opposite of what you’d expect from percussion.
So there are two settings on the synth itself, a noise on and off, that allow you to essentially turn the 808 into a lead with about an octave and a half of usable range. And then there's an approach modulator that you use to take away some of the typical percussive laser noises of 808 drums and flatten them out. The oscillators aren't even, just like the original drum machine, so I had to use mild pitch correction. Then there are gaps in the octaves covered, so pitch shifting to the rescue haha.
Basically this song was made in the FX, but I had a fun time with the limitations of using only one instrument for every element of the track
Classical and occasionally electronic composer who also made a song for every state once.
Age 19, Male
Pre-med student
Wayne State University
Detroit, MI
Joined on 11/26/20