Very very strong intro. Definitely puts you right into that sheriff mindset, riding on a horse in the small abandoned towns dotting the desert.
Then that feeling is interrupted with choir sounds to enhance the soundtrack and put your own spin on it. I think you did it to make it sound more epic and cinematic. But was it necessary to achieve that feeling? I already got that feeling from the intro alone tbh. Definitely felt like you were embarking on an adventure already. Idk just a thought.
Honestly a flute or other wind instrument would’ve gone really hard at that part, singing the melody above the rest of the orchestra, perhaps an octave up to achieve that.
And you have that happening anyway at 0:33! The choir falls into the background (where in my opinion, it belongs here) as the trumpet takes over and the winds play a more central role. Then we’re back to voices at 1:07! Like what you told me in your review for Colorado about diminished chords, I feel like choir should be used a little more tastefully. This was done really well in survive the night, but not as much here I think. For example, 2:16-3:20 should have 0 choir so as to not bore the listener. When the choir comes in it needs to feel like an emotional peak, but if the whole piece is an emotional peak then there is no peak.
Ok enough rambling about that. The trumpet lines in this piece are amazing and I love them. A little trombone at the end is really cool, I wish that instrument got a little more attention tbh. Overall definitely an interesting take on the original; I would argue it brings it to new heights. Great job regardless of my criticisms. You have this cinematic thing down to a science at this point, and are also still posting other things as well like I suggested. Would be cool to hear you do more remixes, perhaps maybe one of my works? Imagine cinematic masterpiece but it’s like rhode island lmao