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50Steaks

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Wow. I’m very impressed with this; the main instrument is exactly what I would expect from a song with that title and the background works well here my opinion. Guitar solo was awesome as always and really adds some variety before the timpani comes in for the “march” section. I imagine camels and the pharaoh or whatever walking through a town as that part comes in. Very well done.

Tangerine responds:

Thank you. I've wanted to do a percussion solo in a song for a really long time now, but I just got to it. I'm glad you liked it :).

Definitely getting circus vibes. The theming makes sense and is consistent throughout. 1:18 shows that there is progression which is pretty essential when trying to tell a story with a song. I imagine the waltzy background chords as the clown walking along with his friends (other instruments) and then in the end finding his way home. Never heard a song about a clown’s journey home but this nailed it. Nice work.

Tangerine responds:

Thank you. I worked really hard to keep the clown vibe throughout and I was beginning to worry if I started to lose it. I'm beginning to think more about musical progression in my songs. My previous songs sounded very repetitive with their structure, so I made sure that didn't happen. Thank you for the reply!

I always see 5* reviews being given out just because someone likes the person who made the song but in this case I’m totally new to your music and so I can be unbiased.
Despite that here are your well deserved stars. Musically it’s extremely unique and yet filled with variety, I wasn’t bored at all the whole way through and the sheer volume of instruments keeps it replayable which I think is important. My favorite part is 1:39, the way you bring in the climax of the song I think is done really well. Harmony is on point, everything is great here and I am struggling to find genuine feedback to give because if I had to guess you accomplished exactly what you wanted making this. Well done.

trevor8 responds:

thank you! that is very kind of you to say, i am flattered!

*Leaves a review on Virginia about arpeggios mostly*
*Makes a song that has them as a major element in the background*
In all seriousness, this is extremely catchy. There are two main issues I have with this and they have to do with subtler elements. The first is replay value; the lack of variety in the melody decreases its replay ability (a term usually used for video games but I think it works for music as well). I know this because Virginia suffers from the same thing. The second is the transitions between parts of the song; good example is 0:34-0:38 where the transition to the next part is very abrupt, so unless that goes against the style of the pirate theme it could be improved. In fact it was improved at 1:35. So really what’s missing until then is percussion, I’m feeling like a fast beat or something with a snare to build up its introduction at 1:35. I’ve never played Sea of Thieves so I may not be the most qualified to review this, but I do really love the chord progression and I think the guitar is a nice addition. Very well done, I think you’ve mastered structuring and harmony/melody at this point, just need to find better soundfonts for some instruments. I’ve never mentioned that; the violin soundfont you use I actually am not a big fan of because it fails to balance each note properly, as in in terms of volume and vibrato (string player of 8 years).

Tangerine responds:

Thank you for the review. I agree transitioning is something I really need to work on. I'm trying. The abrupt chorus with all the percussion was intentional because it was supposed to be a sudden jump with the whole crew playing together. I agree I lacked percussion for the first couple of sections of the song, but I didn't feel like putting much percussion into it later on. I preferred it without percussion in the gentler parts. Not much I can do about the sound fonts. I was thinking of just doing the violin parts myself so I can choose the amount of vibrato since the synth absolutely abuses vibrato. Has no wind down in it, just goes straight for it. The only thing stopping me from doing it myself is recording equipment. I don't have the microphones and insulation to record music. "*Makes a song that has them as a major element in the background*" At least you know I'm inputting my own advice haha. Thank you for the feedback!

Honestly just an improved version of End of the Road. I love that it’s shorter than that one and less attempt to be grandiose, more so just a fun one. Minor criticism, I really like the cymbals but the constant instant panning can get a little disorienting, especially with headphones. Getting better at outros, really feels like a giant about to fall off a cliff but luckily avoiding that at the last minute. I wonder how this would have turned out in minor key? That’s interesting to think about.

Tangerine responds:

" I wonder how this would have turned out in minor key?" Well, the answer is right there. The key is a minor key. Forgive me if I misinterpreted what you mean, I'm still learning music theory and musical terms. When listening to End of the Road I felt that I didn't have enough percussion so I fixed that in this piece. Thank you for the reply. I always appreciate it when you stop by.

Amazing. The outro sounds like a gunshot which PERFECTLY fits the theme, despite being really dark. The melody is really good. This is one of those instances where 4 repeating chords works in a song, when it builds the atmosphere and the lack of tension and release benefits the song. A follow up of probably your worst song, this is... just... I have no words anymore

Tangerine responds:

I'm glad you like my piece and melody. I was messing around on the guitar with Dm and I managed to create this chord progression by each chord moving a finger down a fret. I have absolutely no idea on what 75% of these chords are. This song was created when I discovered the sound effect list of instruments in sibelius. There's so many bizarre things in that list. You consider The Police Are Coming to be my worst song? Personally, out of all the public songs i'd say Kitu was my least favourite. Overall I can guarantee that Kitu sounds like a masterpiece compared to other monstrosities I've made. Someone once paid me $10 nzd to create the worst sounding remix of the doom eternal theme for a game they were making for a school project. The game was called COOM. Creative Observations Of Mathematics. It should be COM but they insisted on COOM. (Don't worry I know why they want it.)

Could have sworn I reviewed this before, but I guess I didn’t. This is your most popular song I think, even now, and 158 listens is pretty substantial. Do I think it deserves to be your most popular? Absolutely not, you’ve made way better than this (take the outro for example)

Tangerine responds:

Yeah, I don't understand Newgrounds. Well, not complaining with the views haha. If people like it then that's all that counts.

I actually don’t really like the melody all that much this time. It sounds like it can’t decide what atmosphere it wants to go for and the chord progression reflects that. I mean it can’t decide whether it wants to be cheerful or saddening, and tries to do both. Also the title sounds like an anime character and, no offense to any of you anime fans out there, but I hate all anime with one major exception that I actually kind of enjoy, but it’s pretty old and I only like it with my siblings. Ok enough ranting, I feel like Holden Caulfield from Catcher in the Rye (that’s an American joke)! Ok song but could use improvement.

Edit: holy shit I’m glad I’ve improved at reviews since this. Wow.

Tangerine responds:

Yeah, I don't really like this song either. I don't think I uploaded this one to spotify. I let my standards drop a little with this one. Anime is alright but I have my limits with it. "Ok song but could use improvement." I'd rather burn this in the past and move on.

Kind of a weird title to describe a stub of a toe but it sounds super dramatic so I’m down. I didn’t even notice the subtle guitar at 1:04 but I am absolutely loving it, represents progression in the pain, or in other words, more of the good withering away leaving only the bad behind. There’s a famous song that goes “only the good die young” and they’re completely right in saying that it seems. That’s what I think of when I hear this song. Depressing yet realistic, uplifting yet full of despair. A near masterpiece in my opinion. Especially since the outro actually works quite well.

Tangerine responds:

"Masterpiece" is a powerful word. Yeah.. my toe really hurt. I think this song sums up my pain and how I regretted existence at that moment, haha.

Ahh this would have sounded way cooler with an accordion, missed opportunity sadly. In case you haven’t noticed I basically use the supersaw synthesizers in every single song I make because A. I think I’m decent at using them and B. They always fit exactly what I want them to fill. I’m sure you could use accordions more than once BUT, even with piano, this still sounds pretty good. For once I actually like the outro, and how quickly it ends. Yeah it’s swing, if only there was a way to almost boost the lower end of the drums to emphasize that somehow or make the violin fit this interesting genre of electro house more (yeah I know it for electro house don’t shoot me).

Edit: what the fuck is this review 😂

Tangerine responds:

Don't mind my grammar mistakes on the falire reply. I really wanted to use the accordion too but the sound font didn't go well with it and I didn't know how to change the sound font for one specific instrument. I was really into swing at the time but I didn't want to make another one because I was afraid they'd sound too similar. I think it's been enough time and i'll be able to make a new one using fun instruments like harmonicas and accordions.

Classical and occasionally electronic composer who also made a song for every state once.

Age 19, Male

Pre-med student

Wayne State University

Detroit, MI

Joined on 11/26/20

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